2016 Entertainment 



Tybee Island Pirate Fest is your ultimate destination for Columbus Day weekend entertainment. Warming up for our Friday and Saturday night headliners, several bands will keep the crowd moving throughout the afternoons and early evenings.

Daytime entertainment includes live music, pirate performers, street performers, magicians, puppeteers, weaponry demonstrations, and a few surprises in between.

Delbert McClinton

Saturday October 8, 2016


Delbert McClinton-Vocals, Harmonica, Cowbell
Jack Bruno – Drums
Kevin McKendree/ Dennis Wage – Keyboards & B3
Bob Britt/ James Pennebaker – Guitar
Mike Joyce – Bass
Quentin Ware – Trumpet
Dana Robbins – Saxophone

2015-16: Delbert McClinton: “Everything Will Be Rosy”

Multi-Grammy Award winner Delbert McClinton is “One of the Fortunate Few,” who has managed to live his dreams for more than six decades. The stars have aligned for Delbert. Those stars may have leaned toward the blues, but Delbert has managed to keep them on the bright side.

I’ve Got Dreams To Remember : The Early Years

He was born four years after Buddy Holly in the musically fertile grounds of Lubbock, Texas. He cut his teeth on Bob Wills and his Texas Playboys at Lubbock’s legendary Cotton Club. When he was 12, Delbert’s family moved to Fort Worth so his father could work on the Rock Island Railroad.

As a teenager, Delbert had a backstage and front row seat to learn from the masters as his teenage band grew into the house band at Fort Worth’s Jack’s Place on the Jacksboro Highway, backing blues legends like Jimmy Reed, Howlin’ Wolf, Freddie King, Albert Collins, and Gatemouth Brown.

Startin’ A Rumor : Delbert and Lennon

His reputation grew, and when he was 22, he traveled with Bruce Channel to England to tour in support of Channel’s hit “Hey Baby,” on which he played harmonica. Delbert and John Lennon spent time over a period of several days. The two 22-year old young musician/singers had a lot in common.

Delbert explains, “The Beatles were opening for us on the tour. They would open the show, then I would play three songs or so, and then Bruce (Channel) would come out and we would do the headliner set. John wanted me to give him some tips on harmonica. The story’s been romanticized. I didn’t really teach  him. I showed him what I did. When to suck and when to blow. Nothing really more than that. Although it was a moment in time.”

Livin’ It Down : Back to Texas

Delbert returned to Texas and continued playing with legendary blues musicians, hitting the road when he could. During the 1960s, he married and had a son, Monty, before the marriage crashed. He continued playing in and around Fort Worth until he took up with a female friend who had just gotten divorced. She talked him into heading to Los Angeles.

Two More Bottles of Wine : The Los Angeles Years

So McClinton moved to Los Angeles in the early 1970s to record with his songwriter partner, Glen Clark. The duo, under the name Delbert & Glen, released two albums with Atlantic Records. The relationship with the divorcee didn’t last long, but the day she left, he sat on the mattress in a dank rent house, and wrote a song about sweeping out a warehouse in West Los Angeles that became the first megahit for Emmylou Harris, “Two More Bottles of Wine.” And thus, began his series of “it’s all right” themes.

Ain’t Lost Nothin’ : Texas and Tennessee

McClinton went home to Texas, met his second wife, and had his second son, Clay. They moved to Nashville, and he signed with ABC Records. In 1975, he released his first solo project, Victim of Life’s Circumstances . For the rest of the decade, McClinton released a string of successful albums and songs, including 1980’s Top 10 hit, “Givin’ It Up For Your Love.”

Changes in tax laws and liberal tax advisors caused Delbert and his friend, Willie Nelson to wind up in the same tax shelter boat in the early 1980s, a time that has often been called Delbert’s “Lost Years.”

“No. I wasn’t lost. I know where I was,” Delbert says, “ I was working for the IRS. They decided that I owed them several hundred thousand dollars. So I was playing for $700 a night and traveling with a loyal band, with the mattress I was born on under a camper shell in the back of the pickup Sometimes the feds would show up at the gig and want all of our money. But we managed to get to the next gig.”

Pledging My Love : The Good Life

Along the way, he met his forever wife, Wendy Goldstein, a news producer for NBC, who agreed to a date after he played Saturday Night Live . A whirlwind romance followed. (She admits that the network held a position for her for 18 months, just in case she changed her mind.) Nearly 30 years later, she is still on board. And thanks to Wendy, Delbert got straight with the IRS, and has celebrated the greatest successes of his career, including his third child, a daughter, Delaney.

McClinton earned his first Grammy nomination in 1989 for Live from Austin   and his first win in 1991 for his duet with Bonnie Raitt on “Good Man, Good Woman.” The following year, McClinton collaborated on projects with Melissa Etheridge, Tom Petty, and Tanya Tucker, with whom he partnered on the popular, “Tell Me About It.”

McClinton earned two more Grammys and topped the Billboard Blues chart with a series of albums in the 2000s, including Nothing Personal , Cost of Living   and Acquired Taste . He teamed up with Clark again for his most recent release, Blind, Crippled and Crazy .

Delbert is driven by the lessons of his mentors, and shares what he has learned with those who follow the path.

Giving It Up For Your Love : What’s Next

Delbert McClinton has big plans up his sleeve. This is a big year for the multi-Grammy award winner and legendary musician. In November, Delbert turns 75. Live shows have been his focus and bread-and-butter throughout his career.

He will be kicking off the yearlong Diamond Jubilee tour with more rocking energy than ever before. And it’s time. Last year was a turning point.

2014 was a rough year. In March, his son, Austin musician Clay McClinton, was in a car accident and suffered a head injury. Delbert and Wendy got the call in Nashville in the early morning hours from oldest son Monty, and flew to Austin to stay by Clay’s side in the hospital for several weeks.

Delbert said, “That’s when I met me. That’s when I met who I was. And life has changed a great deal since then.”

As Clay began to show signs of improvement, Delbert headed out to Florida for a show. He recalls, “We got to the venue. I thought I was having heartburn. It got worse. I knew something was not right. They called EMS. They checked me out and told me that I was okay now, but should probably go to the hospital and find out if I had a heart attack. I didn’t go with them, but had the promoter take me to the hospital, and found out that yeah, I had a little “nudge,” they called it. They did a heart cath the next day and found that I had 95% blockage in the main artery. A Widow Maker, they call it.”

Today, Clay has almost completely recovered from his head injury and is also playing shows again. “He’s grateful,” Delbert says. “His wife, Brandy, said, ‘Clay has really taken advantage of his second chance.’”

The same can be said for Delbert. He has also made an incredible recovery. Delbert returned to the stage two months after his April, 2014 heart surgery. “I didn’t know if I could sing. I didn’t know if I could be me,” he said, “but I found that I had so much more energy and more stamina. From 95% blockage to open road. It made a big difference.”

Everything Will Be Rosy : The Future

And now Delbert has taken to that open road, full speed ahead. He is playing in legendary, historic, and top venues from New York to California. He is planning his 22nd Annual Sandy Beaches Caribbean Cruise in January of 2016. He’s working on a new album, and plans to have it ready to go in time for the Diamond Jubilee Celebration. He has one of the hottest bands he has ever toured with. And he is writing like never before.

The music for the new album is new and fresh, and maintains that Delbert McClinton signature. He easily describes what some struggle to define: “Call it blues or country rock or American roots or whatever, but one of the most important things about my songs continues to be that there is always a way out. Nothing I write spirals into the abyss. It’s all ‘I’ll be all right.’ The music is mostly so positive, in that ‘I’ll be okay’… ‘and maybe if’… ‘I’m hoping that’ frame of mind…. I always want to have an uplifting draft in the breeze of the song.”

So what keeps the energy in more than 60 years of music? His incredible musical versatility has been a blessing and a curse. He has managed to stay ahead of the curve – rather than just riding the wave of musical popularity. He has paddled out and caught the wave as it is forming as an innovator in American music.

Delbert has found more than a million friends on the road, on the Sandy Beaches Cruises and on stages around the world.


Friday October 7th


A1A – The Official and Original Jimmy Buffett Tribute Show was born in 1991 when Lead Vocalist and Guitarist, Jeff Pike asked Atlanta Parrot Head Club Founder, Scott Nickerson to join him  in his already successful one man tribute to Jimmy Buffett.  In 1992, the band won a Jimmy Buffett Sound Alike Contest for Margaritaville Records and the A1A ball started rolling – a ball that is still rolling 25 years later.

Over the years as the band grew A1A was extremely instrumental in the fundamental building and growth of the International Parrot Head Club community and Trop Rock Music genre as it is today. They were the first band to repeatedly headline the annual Jimmy Buffett “Meeting of The Minds” Parrot Head Convention and many more land mark annual Parrot Head Events.  They have released 3 CD’s of original Trop Rock music, played to countless high profile clients around the world and continue to draw record crowds to their public performances.  Members from Jimmy Buffett’s band, Greg “Fingers” Taylor, Mac McAnally, Michael Utley, Robert Greenidge, Peter Mayer, Nadirah Shakoor and Tina Gullickson have all performed with the band over the years.  In 2009 Nadirah Shakoor chose A1A to be her back up band to help promote her Mailboat Records Release, ‘Nod To The Story Teller.’  In 2012, Jimmy Buffett was instrumental in landing A1A in the Lions Gate Major Motion Picture Release, ‘What to Expect When You’re Expecting.’  The band recorded Jimmy’s classic, ‘Why Don’t We Get Drunk,’ which was included in the movie and on the soundtrack released by Capitol Records.  Recently in 2016, Jimmy Buffett and Mac McAnally approached A1A with a request that they be Jimmy’s band during a private performance for The World Surf League at The Masters Open in Augusta, Georgia.  Not surprisingly, the band was very proud to be Jimmy’s ‘ Coral Reefer Band’ for a day.

A1A performs as a seven piece band, complete with audio and light production, bringing to life a colorful and energetic family friendly Jimmy Buffett Tribute Show. For added ambiance and realism, adding the A1A Beachwrecked Pirates is a sure fire way to boost up the enthusiasm and energy to your event.

When attending an A1A performance you can expect to hear all of your Jimmy Buffett favorites. You will also be treated to some classic Reggae as well as some original A1A Trop Rock music. The energy, musicianship, originality and excitement that have always surrounded an A1A performance is an experience and a driving force that has helped the band remain the first and foremost Jimmy Buffett Tribute Show in history.

Let A1A make your concert, festival, private, or corporate event an experience that people will be talking about for a long time to come.

A1A  IS:

Jeff Pike – Lead Vocals and Acoustic Guitar
Chris Blackwell – Lead Guitar
Eric Baumgartner – Piano, Keyboards and Background Vocals
Rick Meeder – Bass Guitar and Background Vocals
Scotty Sells – Pan Steel Drums and Percussion
Vance Kelly – Saxophone
Wayne Viar – Drums and Percussion


 Big Engine

Friday October 7th


BigEnginePromo_smallBio: Even after playing over 200 shows a year, people just can’t get enough of Big Engine’s nitrous fueled shows and the high energy music that brings down the house night after night. Along with the die-hard fans that follow the boys from town to town, uninitiated newcomers seldom last the entirety of the show without raising their fists in the air and singing along to the band’s catchy choruses and instantly memorable lyrics.

These road warriors travel the country, bringing the party with crowd favorites: “Shake That Thing”, “That Girl’s a Freak”, “Turn It On,” “Party Like A Rockstar” and “Sister Mary.”
In good company, Big Engine has made friends by sharing the stage with Buckcherry, Motorhead, Bret Michaels, (2012 Pirate Festival) Vince Neil, Charlie Daniels, 38 Special, Ted Nugent, Jackyl, Shooter Jennings, and countless other national acts. Needless to say, they have amassed an army of gear heads, bikers, and race fans from the infamous Daytona and Sturgis bike rallies as well as NASCAR races.
A Rock band for the video game generation – Big Engine’s anthemic, “Party Like a Rock Star,” is available for download for the Rock Band video game platform, an international sensation that ignited a new interest in music for younger generations.
Big Engine’s 3 albums: 2007’s “Rock ‘n Roll Machine;” 2009’s “That Girl;” “and 2012’s “Turn It On” are all available online (on iTunes and Amazon MP3) and in select retailers.
Along with their 2014 Prepare For Liftoff tour sponsored by Twisted Tea, the band has a brand new album entitled “Shot Like A Rocket” being released through Pavement Entertainment/MRI Sony Red on August, 19th 2014 available for preorder online at Best Buy, Amazon, FYE, CD Universe and other music retailers!

The Brigands

Friday & Saturday ~ Random times
Little Matey’s Stage

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Ahoy mates, party like it be 1724 with the Brigands! They are a musical minded group, performing songs, Sea Shanties and tunes, lore and fact, from the Golden Age of Piracy, 1650 -1750 and beyond. They have been called the ultimate tavern band and that is what they aim for. The music heard dockside, in a drinking establishment frequented by sailors, pirates, freebooters and smugglers alike, was not the music heard in the King’s court nor in the concert halls of the day. It was music for hard working and maybe hard chased men, looking to lift a tankard, seek out the fairer sex and forget for awhile the life at sea, be it hauling nitrates to Chile or luffing matches with a fat prize off the coast of Dry Tortuga. Thats what a Brigands show is like.


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